Sunday, February 21, 2016
Wednesday, February 17, 2016
Sunday, February 14, 2016
syntax
In linguistics, syntax (from Ancient Greek σύνταξις "coordination" from σύν syn, "together," and τάξις táxis, "an ordering") is "the study of the principles and processes by which sentences are constructed in particular languages."[1]
In addition to referring to the discipline, the term syntax is also used to refer directly to the rules and principles that govern the sentence structure of any individual language. Modern research in syntax attempts to describe languages in terms of such rules. Many professionals in this discipline attempt to find general rules that apply to all natural languages.
The term syntax is also used to refer to the rules governing the behavior of mathematical systems, such as formal languages used in logic. (See logical syntax.)
Koine Greek grammar
Koine Greek grammar is a subclass of Ancient Greek grammar peculiar to the Koine Greek dialect. It includes many forms of Hellenistic era Greek, and authors such as Plutarchand Lucian,[1] as well as many of the surviving inscriptions and papyri.
Koine texts from the background of Jewish culture and religion have distinct features not found in classically-rooted writings. These texts include the Septuagint (Greek Old Testament with Apocrypha), New Testament, Josephus, Philo of Alexandria, the Greek Old Testament Pseudepigrapha, and early Patristic writings.
Le poids des apparences
Published on May 12, 2014
Par respect à la vie privée des personnes, j'avais décidé de flouter tout les visages susceptibles d'être reconnus. Mais j'ai quand même reçu une réclamation pour atteinte à la vie privée par une personne.
Nouvelle vidéo cette fin de semaine.
Je n'ai jamais été aussi triste et choqué lors d'un tournage comme je l'ai été pour cette expérience.
J'espère que cette vidéo vous donnera envie d'aider n'importe qui. peu importe son apparence.
Celle-ci parle d'elle même.
Abonne-toi : http://goo.gl/skHlS6
Nouvelle vidéo cette fin de semaine.
Je n'ai jamais été aussi triste et choqué lors d'un tournage comme je l'ai été pour cette expérience.
J'espère que cette vidéo vous donnera envie d'aider n'importe qui. peu importe son apparence.
Celle-ci parle d'elle même.
Abonne-toi : http://goo.gl/skHlS6
Suttas.net
The Suttas: Original Teachings of the Buddha
Dhammapada in Versetranslated by Bhante Varado
and Samanera Bodhesako
and Samanera Bodhesako
The Atthakavagga (small pdf)translated by Ven. Paññobhāsa Bhikkhu
DIALOGUE AUX ENFERS ENTRE MACHIAVEL ET MONTESQUIEU
Produced by Carlo Traverso, Eric Bailey and Distributed Proofreaders Europe, http://dp.rastko.net. This file was produced from images generously made available by the Bibliotheque nationale de France (BnF/Gallica) at http://gallica.bnf.fr.
DIALOGUE AUX ENFERS ENTRE MACHIAVEL ET MONTESQUIEU
OU
LA POLITIQUE DE MACHIAVEL AU XIXe SIÈCLE,
PAR UN CONTEMPORAIN.
«Bientôt on verrait un calme affreux, pendant lequel tout se réunirait contre la puissance violatrice des lois.»
«Quand Sylla voulut rendre la liberté à Rome, elle ne put plus la recevoir»
(MONTESQUIEU, Esp. des Lois.)
«Quand Sylla voulut rendre la liberté à Rome, elle ne put plus la recevoir»
(MONTESQUIEU, Esp. des Lois.)
IMPRIMERIE DE A. MERTENS ET FILS,
RUE DE L'ESCALIER, 22
1864
SIMPLE AVERTISSEMENT.
Ce livre a des traits qui peuvent s'appliquer à tous les gouvernements, mais il a un but plus précis: il personnifie en particulier un système politique qui n'a pas varié un seul jour dans ses applications, depuis la date néfaste et déjà trop lointaine, hélas! de son intronisation.
Il ne s'agit ici ni d'un libelle, ni d'un pamphlet; le sens des peuples modernes est trop policé pour accepter des vérités violentes sur la politique contemporaine. La durée surnaturelle de certains succès est d'ailleurs faite pour corrompre l'honnêteté elle-même; mais la conscience publique vit encore et le ciel finira bien quelque jour par se mêler de la partie qui se joue contre lui.
On juge mieux de certains faits et de certains principes quand on les voit en dehors du cadre où ils se meuvent habituellement sous nos yeux; le changement du point d'optique terrifie parfois le regard!
Ici, tout se présente sous la forme d'une fiction; il serait superflu d'en donner, par anticipation, la clef. Si ce livre a une portée, s'il renferme un enseignement, il faut que le lecteur le comprenne et non qu'on le lui commente. Cette lecture, d'ailleurs, ne manquera pas d'assez vives distractions; il faut y procéder lentement toutefois, comme il convient aux écrits qui ne sont pas des choses frivoles.
On ne demandera pas quelle est la main qui a tracé ces pages: une oeuvre comme celle-ci est en quelque sorte impersonnelle. Elle répond à un appel de la conscience; tout le monde l'a conçue, elle est exécutée, l'auteur s'efface, car il n'est que le rédacteur d'une pensée qui est dans le sens général, il n'est qu'un complice plus ou moins obscur de la coalition du bien.
GENÈVE, le 15 octobre 1864.
Il ne s'agit ici ni d'un libelle, ni d'un pamphlet; le sens des peuples modernes est trop policé pour accepter des vérités violentes sur la politique contemporaine. La durée surnaturelle de certains succès est d'ailleurs faite pour corrompre l'honnêteté elle-même; mais la conscience publique vit encore et le ciel finira bien quelque jour par se mêler de la partie qui se joue contre lui.
On juge mieux de certains faits et de certains principes quand on les voit en dehors du cadre où ils se meuvent habituellement sous nos yeux; le changement du point d'optique terrifie parfois le regard!
Ici, tout se présente sous la forme d'une fiction; il serait superflu d'en donner, par anticipation, la clef. Si ce livre a une portée, s'il renferme un enseignement, il faut que le lecteur le comprenne et non qu'on le lui commente. Cette lecture, d'ailleurs, ne manquera pas d'assez vives distractions; il faut y procéder lentement toutefois, comme il convient aux écrits qui ne sont pas des choses frivoles.
On ne demandera pas quelle est la main qui a tracé ces pages: une oeuvre comme celle-ci est en quelque sorte impersonnelle. Elle répond à un appel de la conscience; tout le monde l'a conçue, elle est exécutée, l'auteur s'efface, car il n'est que le rédacteur d'une pensée qui est dans le sens général, il n'est qu'un complice plus ou moins obscur de la coalition du bien.
GENÈVE, le 15 octobre 1864.
Type Greek
TypeGreek Code
The TypeGreek code is released under a Creative Commons license, so you are free to download it, modify it, or host it on your own site. (Be sure you understand the license.) To download the current version, right-click on the following link and select “Save As” to save it to your computer.Download TypeGreek Source Code | Add Greek Typing to Your Site
Alphabet Key
Type Greek uses beta code, converting each beta code keystroke into the corresponding Greek character. Beta code is standard way to represent Greek characters as a combination of Roman characters and punctuation. For example, ἀ is represented in beta code as a) — a for alpha and ) for smooth breathing.
Chinese Pinyin Setup in Windows
Chinese Pinyin Setupin Windows 10
A Quick Start Guide to Setting up Input Methods for
Simplified AND Traditional Chinese Characters
in Non-Chinese versions of Microsoft Windows 10
This is a guide to setting up Chinese input methods in Windows 10. As I explain in more detail in my overview of Chinese language features in this release, at this time I cannot recommend that Windows 7 users upgrade, as many Chinese language features that were missing in Windows 8 are still missing in Windows 10. I plan to write up a new list for Win 10 soon, while expecting (hoping?) to see updates that fix some or all of these problems released in 2016. Meanwhile Windows 8 users should go ahead and install Windows 10, and may benefit from doing so.
Il principe
The Prince (Italian: Il Principe, [il ˈprin.tʃi.pe]) is a political treatise by the Italian diplomat, historian and political theorist Niccolò Machiavelli. From correspondence a version appears to have been distributed in 1513, using a Latin title, De Principatibus (About Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was done with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of the Prince in manuscript, controversy had swirled about his writings".[1]
Reconstruction
Reconstruction is a psychological romantic drama film and the debut of Christoffer Boe, who also wrote the screenplay together with Mogens Rukov. It was filmed in Copenhagen and won the Camera D’Or at the Cannes Film Festival in 2003, and the Golden Plaque for Manuel Alberto Claro's luminous wide-screen cinematography.
A play of mirrors; a little magic; a little smoke; a lot of white. With a few elements and a simple structure Boe gives a complex story. There is a play with stories within stories and recurrence of time. The author of the tale is part of the tale. The synthesis of the tales seems to be the scene in the Metro where one anonymous rider makes a trick with a cigarette. Everyone stops to watch the show. Time seems to freeze; The train comes; The magician, takes a last taste of the cigarette, throws it away, and everybody leaves.
All surroundings seem to be white; is a Nordic thing or a symbol? The film was shot almost entirely in available light. Using available lighting is not merely stylistic. Boe doesn't work with storyboards or set schedules.
They shot Super 16 on an Arri SR3 using three different stocks. Then the film was scanned, color-graded, and digitally masked to CinemaScope. The scan was a simple one-light, and the team did no color correction, the opposite of today's trend to perform a digital intermediate. They also pushed the emulsion for extra grain.
In one interview Christoffer Boe said that the film was inspired by Jacques-Henri Lartigue's photograph of a woman standing in a room with empty bookcases. "Looking at that picture, I immediately felt I wanted to do a story about a man who comes home and his apartment has disappeared. And I knew it had to be a love story".
Characters do not use mobile phones or other means of modern communication. However, the story takes place nowadays. This emphasizes the fact that the plot is artificial and constructed.
The scene where Alex and Aimee are talking in a cafe was shot in the Bobi Bar which is one of Boe's favorite and is close to where he lives.
A play of mirrors; a little magic; a little smoke; a lot of white. With a few elements and a simple structure Boe gives a complex story. There is a play with stories within stories and recurrence of time. The author of the tale is part of the tale. The synthesis of the tales seems to be the scene in the Metro where one anonymous rider makes a trick with a cigarette. Everyone stops to watch the show. Time seems to freeze; The train comes; The magician, takes a last taste of the cigarette, throws it away, and everybody leaves.
All surroundings seem to be white; is a Nordic thing or a symbol? The film was shot almost entirely in available light. Using available lighting is not merely stylistic. Boe doesn't work with storyboards or set schedules.
They shot Super 16 on an Arri SR3 using three different stocks. Then the film was scanned, color-graded, and digitally masked to CinemaScope. The scan was a simple one-light, and the team did no color correction, the opposite of today's trend to perform a digital intermediate. They also pushed the emulsion for extra grain.
In one interview Christoffer Boe said that the film was inspired by Jacques-Henri Lartigue's photograph of a woman standing in a room with empty bookcases. "Looking at that picture, I immediately felt I wanted to do a story about a man who comes home and his apartment has disappeared. And I knew it had to be a love story".
Characters do not use mobile phones or other means of modern communication. However, the story takes place nowadays. This emphasizes the fact that the plot is artificial and constructed.
The scene where Alex and Aimee are talking in a cafe was shot in the Bobi Bar which is one of Boe's favorite and is close to where he lives.
Thursday, February 4, 2016
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